Investigating the Malay Traditional Jewellery: A Complementary Element in Malay Women's Costumes in Malaysia

https://doi.org/10.56225/ijgoia.v2i3.258

Authors

  • Nazirah Mohamad Ba’ai Department of Contemporary Metal Design, College of Creative Arts, Universiti Teknologi MARA (UiTM), 40450 Shah Alam, Selangor, Malaysia
  • Hanif Khairi Department of Contemporary Metal Design, College of Creative Arts, Universiti Teknologi MARA (UiTM), 40450 Shah Alam, Selangor, Malaysia
  • Asliza bt Aris Department of Fashion Design, College of Creative Arts, Universiti Teknologi MARA (UiTM), 40450 Shah Alam, Selangor, Malaysia

Keywords:

Malay traditional, Jewellery, Malay women’s costumes

Abstract

This paper explores the significance of traditional Jewellery as a complementary element in Malay women's costumes in Malaysia. This study examines the factors associated with selecting Jewellery to complement Malay women's costumes. The approach of this study is qualitative, applying Malay aesthetic principles to understand how to design Jewellery in Malay culture. The study finds that traditional Jewellery serves multiple functions, including enhancing the wearer's beauty, expressing social status, and embodying cultural identity. The authors argue that the continued use of traditional Jewellery in Malay women's costumes reflects the enduring importance of cultural heritage and the value placed on maintaining traditional practices in contemporary Malaysian society. The authors found that traditional Jewellery serves multiple functions, including enhancing the wearer's beauty, expressing social status, and embodying cultural identity. The continued use of traditional Jewellery in Malay women's costumes reflects the enduring importance of cultural heritage and the value placed on maintaining traditional practices in contemporary Malaysian society. In conclusion, this study sheds light on the significance of traditional Jewellery in Malay women's costumes in Malaysia. It has provided a comprehensive analysis of the factors influencing the selection of Jewellery to complement Malay women's costumes. The study provides insights into contemporary Malaysia's complex interplay between tradition and modernity.

Downloads

Download data is not yet available.

References

Amalanathan, S. (2023). US Modest Fashion Industry: Critical Interpretations of Brand Positioning and Muslim Women Entrepreneurs (pp. 1–145). Iowa State University.

Amenuke, S. K., Dogbe, B. K., Asare, F. D. K., Ayiku, R. K., & Baffoe, A. (1991). General knowledge in art for senior secondary schools. Evans Brothers Limited.

Arimbi, D. A. (2021). Beauty East, Beauty West: Muslim Beauty in Indonesian Islamic Magazines. In (Re-) Claiming Bodies Through Fashion and Style: Gendered Configurations in Muslim Contexts (pp. 21–39). Springer.

Aris, A. (2014). The evolution and transformation of Baju Kurung in the Peninsular of Malaysia. Universiti Teknologi MARA.

Dowling, G. (2004). The Art and Science of Marketing. Oxford University PressOxford. https://doi.org/10.1093/acprof:oso/9780199269617.001.0001

Gazali, U. M. (2018). Effect of Social Marketing Mix and Attitude on Farmers’ Flood Preparedness Behavior in the East Coast of Malaysia (pp. 1–83). Universiti Putra Malaysia.

Hamzah, A., & Kwŏn, S. (2018). Industri budaya Asia Tenggara dan Korea Selatan. Universiti Malaya.

Hassan, H. (2016). A Study on the Development of Baju Kurung Design in the Context of Cultural Changes in Modern Malaysia. Wacana Seni Journal of Arts Discourse, 15(1), 63–94. https://doi.org/10.21315/ws2016.15.3

Jenkins, I., & Jenkins, I. D. (2007). Greek architecture and its sculpture. Choice Reviews Online, 44(10), 44–54. https://doi.org/10.5860/CHOICE.44-5454

Kaur, P., & Joseph, R. (2012). Women and Jewelry-The Traditional and Religious Dimensions of Ornamentation. Coherence, 3(1), 39–49.

Kaya, N., & Epps, H. H. (2004). Relationship between color and emotion: A study of college students. College Student Journal, 38(3), 396–405.

Kodžoman, D. (2019). The psychology of clothing. Textile & Leather Review, 2(2), 90–103. https://doi.org/10.31881/TLR.2019.22

Koh, J. (2022). Baju kurong.

Migliaccio, G., D’, C. C., & Alelio, N. A. (2022). The profitability of Italian Jewellery between the two international economic crises. International Journal of Globalisation and Small Business, 13(1), 79–107. https://doi.org/10.1504/IJGSB.2022.123351

Mohamad Ba’ai, N., Aris, A., & Khairi, H. (2022). Application of Nature in the Motif of Malay Traditional Jewellery in Malaysia. Environment-Behaviour Proceedings Journal, 7(SI7), 141–147. https://doi.org/10.21834/ebpj.v7iSI7.3796

Mohamad Ba’ai, N., Aris, A., Khairi, H., & M.Hum, Y. D. (2022). Malay Traditional Motifs Character in Jewellery Design. Asian Journal of Environment-Behaviour Studies, 7(23), 15–30. https://doi.org/10.21834/aje-bs.v7i23.413

Momtaz, S., & Asaduzzaman, M. (2018). Climate change impacts and women’s livelihood: vulnerability in developing countries. Routledge.

Muhamad, N. A. M., Tahir, A., Ramli, I., & S. Abu Bakar, S. A. (2023). The Development of the Malaysian Cultural Elements Framework. Idealogy Journal, 8(1), 176–202. https://doi.org/10.24191/idealogy.v8i1.421

Mustafa, M. K., Sudarno, N., & Saleh, N. (2022). A journey to remember: Malay traditional costume inspired. ARTe: Art & Expression, 3(2), 2–5.

Nyati-Saleshando, L. (2016). Cultural Diversity and African Language Education: The Role of Urbanization and Globalization. Journal of Studies in Education, 6(1), 160–170. https://doi.org/10.5296/jse.v6i1.8243

Rashidi, H. (2015). Lifestyle and Youth: Identifying Lifestyle among Women in Mahabad, Iran. European Online Journal of Natural and Social Sciences: Proceedings, 4(1), 10–52.

Riding, J. B., & Worley, N. E. (2022). The life and scientific work of Trevor D. Ford (1925–2017). Mercian Geologist, 20(1), 27–36.

Singh, R. (2023). Designers Approach towards Traditional and Modern Jewellery Designs: A Comparative Study. Journal of Critical Reviews, 5(1), 15–19. https://doi.org/10.48047/jcr.05.01.09

Tetteh, Nicholas A, Agyei, I. K., & Nyante, B. (2021). Jewelry Selection to Match Clothing; Ghanaian’s Perspective. Turkish Online Journal of Qualitative Inquiry, 12(7), 6154–6168.

Tetteh, Nicholas Addo, & Agyei, I. K. (2022). Diversity Of Jewellery: The Account of the Northern, Middle and Southern Ghana. Resmilitaris, 12(4), 2566–2585.

Vaccaro, K., Shivakumar, S., Ding, Z., Karahalios, K., & Kumar, R. (2016). The Elements of Fashion Style. Proceedings of the 29th Annual Symposium on User Interface Software and Technology, 777–785. https://doi.org/10.1145/2984511.2984573

Yu, J. (2021). The Application of 3D Printing Technology in Sculpture. In International Journal of Fashion Design, Technology and Education (Vol. 10, Issue 2, pp. 755–759). Taylor & Francis. https://doi.org/10.1007/978-3-030-62746-1_115

Yusof, Z., Nawawi, N. M., & Aris, A. (2018). Malay Kebaya: The History and Influences of Other Silhoutte. Proceedings of the Art and Design International Conference (AnDIC 2016), 445–452. https://doi.org/10.1007/978-981-13-0487-3_49

Zakaria, M. S., & Merman, H. (2021). Exploring the Malayness of Mastura Abdul Rahman’s Painting. International Journal of Art and Design (IJAD), 4(6), 47–55.

Downloads

Published

2023-09-30

How to Cite

Ba’ai, N. M., Khairi, H., & Aris, A. bt. (2023). Investigating the Malay Traditional Jewellery: A Complementary Element in Malay Women’s Costumes in Malaysia. International Journal of Global Optimization and Its Application, 2(3), 154–164. https://doi.org/10.56225/ijgoia.v2i3.258

Similar Articles

1 2 > >> 

You may also start an advanced similarity search for this article.